*Ty Segall – Ty Rex (12/4)
David Bowie – Blackstar (1/8)
Savages – Adore Life (1/22)
Walter Martin – Arts + Leisure (1/29)
Suede – Night Thoughts (1/22)
DIIV – Is the Is Are (2/5)
Quilt – Plaza (2/26)
Martin Courtney – Many Moons
-Neon Indian – VEGA INTL. Night School
-Youth Lagoon – Savage Hills Ballroom
Deradoorian – The Expanding Flower Plant
-Blackalicious – Imani, Vol. 1
-Telekinesis – Ad Infinitum
-Tamaryn – Cranekiss
-Ducktails – St. Catherine
SUN 12/13 Deerhunter [EARLY show] 5:30pm @ Thalia Hall ($22)
FRI 12/18 Ryley Walker +2 9pm @ The Empty Bottle ($5)
SUN 1/24 Protomartyr +2 8pm @ Lincoln Hall ($15)
THURS 2/16 Parquet Courts 8:30pm @ Thalia Hall ($16)
THURS 4/7 Savages 9pm @ Metro ($25)
TORRES is the stage name of Mackenzie Scott and Sprinter is the Brooklyn-based singer-songwriter’s second full-length. TORRES has a heck of a backing band on record. Portishead’s Adrian Utley plays guitar and synthesizer and Robert Ellis and Ian Olliver reunite as a rhythm section for the first time since PJ Harvey’s Dry.
“Strange Hellos” gets the album off to a roaring start. After a few sparely strummed notes, a superb ‘produced-sounding’ drum (great snare & hi-hat) and ferocious guitar combination come in. But TORRES’s voice may be the real star, by track’s end she is yelling.
“New Skin” (track 2) is a tamer affair and the first half of it recalls Sharon Van Etten’s sound (down to the huskier vocal). Stick around for a somewhat surprising 2-minute jam out that closes the track. (This outro’s sound and vocals remind me of Anna Calvi)
“Cowboy Guilt” is a curveball of a song. It’s lighter and has a more soulful vocal and wobbly electronic touches. This track is her St. Vincent/more experimental side.
Penultimate track “The Harshest Light” displays a slower more epic sound and some cool layered vocals.
Recommended tracks: 1, 2, 5, 6, 8
Weatherhouse is the 2nd solo full-length from Philip Selway, better known as the drummer for Radiohead. Selway is quite adept at building atmospheric canvases, manicuring this ballad-heavy record with string arrangements and (unsurprisingly) well-curated percussion.
Lush, layered strings are the grounding force on Track 2 “Around Again” (until they build to a near cacophonous rage) coupled with a persistent maraca/egg, a jumpy drum beat and the most Radiohead sounding element (of the album), a sliding electric bassline.
Track 4 “Miles Away” opens with keys and a cool minimal beat, later adding a ride cymbal and just when you least expect, a loud distorted/jagged guitar line joins the mix. This song reminds me of The Antlers recent work.
An acoustic guitar and haunting synths are the focus of the aptly titled “Ghosts” (Track 5). I could easily hear Thom Yorke singing this song.
The undisputed BEST track here is the piano-centric “It Will End In Tears” (Track 6) on which Selway shows he can write a single with an undeniable hook, fleshed out with strings and a vocal choir. Bravo!
RIYL: Radiohead (duh?), The Antlers, Suede ballads, Kevin Tihista
Recommended tracks: 2, 4, 5, 6, 7, 8
Mon. 10/27 – Wilco on Fallon NBC 11:30
Tues. 10/28 – Beck on Conan TBS 10:50
Sturgill Simpson on Fallon NBC 11:30
Wed. 10/29 – She & Him on Fallon NBC 11:30
Thurs. 10/30 – Spoon on Jon Stewart CC 10:20
The War On Drugs on Conan TBS 10:50
Perfume Genius on Letterman CBS 11:30
Fri. 10/31 – The Flaming Lips on Kimmel ABC 11:30
Run The Jewels on Letterman CBS 11:30
Still Life is the second solo album from Kevin Morby, formerly the bassist of Woods and guitarist for The Babies, who are currently on hiatus. Listening to the album opener, “The Jester, The Tramp & the Acrobat,” Morby immediately reminds me of Cass McCombs in vocal style and composition. (Also see Track 6 Re: Cass McCombs sound) Both guys are storytellers lyrically, in the tradition of Bob Dylan, right down to the dropped off vocal drawl.
A good portion of this record sounds more fleshed out (and the work of a full live band) than Morby’s debut. (great use of bass, drums and organs)
Track 3 “Motors Runnin” has a jangly (Feelies-like) guitar upfront and later gives way to a (Galaxie 500) style guitar solo.
Track 7 “Parade” has a timeless/classic sound about it. Opening with a clean electric guitar tone, drums and adding a tinkling piano and saxophone, this is probably the album highlight. “Parade” also adds some double-layered lead vocals and female backing vocal (bah bah bahs) for good measure. Lyrically it’s a bit new-agey, revolving around the line “If I were to die today…”
RIYL: Cass McCombs, Bob Dylan, Kurt Vile, Jim James
Recommended tracks: 1, 2, 3, 6, 7, 9
Hoodwink’d is the sophomore album from New York’s LVL UP. There are 3 songwriters and seemingly as many lead vocalists (along with female backing vocals) mixed throughout the record.
Hoodwink’d is a slacker record through and through, calling to mind vintage Pavement, GBV, Superchunk and Weezer, as well as retro-leaning peers like Yuck, Parquet Courts, PAWS and Speedy Ortiz.
Track 2, “Stoned Alone” is a peppy shuffle of a tune with a giddy wordless chorus and vocals reminiscent of Martin Courtney of Real Estate. There a several songs that share the breezy Real Estate guitar ethos as well as vocal similarity on Hoodwink’d. (Also see tracks 6 & 14)
Track 4, “Hex” is a dead ringer for Slanted + Enchanted-era Pavement and the fuzzy guitar fueled “DBTS” (Track 7) rings of Weezer and GBV.
Piling on the retro reverence, Track 9 restates Silver Jews lyrics “I feel insane when you get in my bed” and discusses what one thinks about when listening to the Silver Jews. This is LVL UP’s anthem, with the repeated line “I keep trying to lose.”
Recommended tracks: 2, 3, 4, 6, 7, 9, 11, 12, 14